We Were at War! None of Us Knew if We Were Gonna Go Back Home Again!

American Civil War-era popular vocal

Song

"When Johnny Comes Marching Home"
When Johnny Comes Marching Home - Project Gutenberg eText 21566.png

Canvas music cover, 1863

Song
Published 1863
Songwriter(s) Louis Lambert a.g.a. Patrick Gilmore
Audio sample

c. 1990 U.South. Military Academy Band performance

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"When Johnny Comes Marching Home" (Roud 6637), sometimes "When Johnny Comes Marching Home Again", is a popular song from the American Civil State of war that expressed people's longing for the return of their friends and relatives who were fighting in the state of war.

Origins [edit]

The lyrics to "When Johnny Comes Marching Home" were written by the Irish gaelic-American bandleader Patrick Gilmore during the American Civil War. Its first sheet music publication was deposited in the Library of Congress on September 26, 1863, with words and music credited to "Louis Lambert"; copyright was retained by the publisher, Henry Tolman & Co., of Boston.[1] Why Gilmore chose to publish under a pseudonym is non clear, but popular composers of the menstruum often employed pseudonyms to add together a touch of romantic mystery to their compositions.[2] Gilmore is said to have written the song for his sister Annie as she prayed for the safe render of her fiancé, Union Light Artillery Captain John O'Rourke, from the Civil War,[3] [iv] [5] although it is not articulate if they were already engaged in 1863; the ii were not married until 1875.[6]

Gilmore later acknowledged that the music was not original merely was, as he put it in an 1883 commodity in the Musical Herald, "a musical waif which I happened to hear somebody humming in the early days of the rebellion, and taking a fancy to it, wrote it downwardly, dressed information technology up, gave it a name, and rhymed it into usefulness for a special purpose suited to the times."[7]

The melody was previously published effectually July 1, 1863, as the music to the Civil State of war drinking song "Johnny Fill Upwards the Bowl".[8] A color-illustrated, undated slip of Gilmore's lyrics, printed past his own Boston publisher, really states that "When Johnny Comes Marching Home" should be sung to the tune of "Johnny Fill Upwards the Bowl".[9] The original sheet music for "Johnny Make full Up the Bowl" states that the music was arranged (not composed) by J. Durnal.[10] There is a melodic resemblance of the tune to that of "John Anderson, My Jo" (to which Robert Burns wrote lyrics to fit a pre-existing tune dating from about 1630 or earlier), and Jonathan Lighter has suggested a connection to the seventeenth-century ballad "The Three Ravens".[11]

"When Johnny Comes Marching Home" is also sung to the aforementioned tune as "Johnny I Hardly Knew Ye" and is frequently thought to have been a rewriting of that song. However, "Johnny I Hardly Knew Ye" was non published until 1867, and it originally had a dissimilar tune.[12]

"When Johnny Comes Marching Dwelling" was immensely popular and was sung by both sides of the American Civil War.[13] It became a hit in England every bit well.[14]

Culling versions [edit]

Quite a few variations on the song, as well every bit songs prepare to the aforementioned melody but with different lyrics, accept appeared since "When Johnny Comes Marching Domicile" was popularized. The alleged larcenous tendencies of some Wedlock soldiers in New Orleans were parodied in the lyrics "For Bales", to the same melody. A British version appeared in 1914, with the similar title, "When Tommy Comes Marching Abode". The 1880 U.Due south. presidential election campaign featured a campaign vocal called "If the Johnnies Get into Ability,"[fifteen] which supported the Republicans James A. Garfield and Chester A. Arthur confronting the "Johnnies" (Democrats Winfield S. Hancock and William H. English language).[16]

Lyrics [edit]

Illustration of a Zouave company on Ceremonious War era broadside of "When Johnny Comes Marching Abode".

The original lyrics as written by Gilmore, are:[17]

When Johnny comes marching dwelling again
Hurrah! Hurrah!
We'll give him a hearty welcome then
Hurrah! Hurrah!
The men volition cheer and the boys will shout
The ladies they volition all turn out
And we'll all feel gay
When Johnny comes marching home.

The old church bell will peal with joy
Hurrah! Hurrah!
To welcome habitation our darling boy,
Hurrah! Hurrah!
The village lads and lassies say
With roses they volition strew the way,
And we'll all experience gay
When Johnny comes marching home.

Get set for the Jubilee,
Hurrah! Hurrah!
We'll give the hero three times iii,
Hurrah! Hurrah!
The laurel wreath is fix now
To identify upon his loyal brow
And we'll all experience gay
When Johnny comes marching habitation.

Allow love and friendship on that 24-hour interval,
Hurrah, hurrah!
Their choicest pleasures and then display,
Hurrah, hurrah!
And let each one perform some part,
To fill with joy the warrior's center,
And we'll all feel gay
When Johnny comes marching dwelling house.

Some after recordings end each verse with "And we'll all experience glad when Johnny comes marching domicile."

"Johnny Make full Up the Bowl" [edit]

"Johnny Fill up Up the Bowl", which provided the tune for "When Johnny Comes Marching Abode", was a topical drinking song that commented on events in the American Civil War. It was frequently refitted with new words past soldiers and other publishers.[ten]

A satirical variant of "Johnny Fill Up the Bowl", entitled "For Bales" or, more fully, "For Bales! An O'er True Tale. Dedicated to Those Pure Patriots Who Were Afflicted with 'Cotton on the Brain' and Who Saw The Elephant", was published in New Orleans in 1864, by A. Due east. Blackmar.

Lyrics [edit]

[1]
We all went downward to New Orleans,
For Bales, for Bales;
We all went downward to New Orleans,
For Bales, says I;
We all went down to New Orleans,
To go a peep behind the scenes,
"And nosotros'll all drink stone bullheaded,
Johnny fill the bowl".

[two]
We thought when we got in the "Band",
For Bales, for Bales;
We thought when nosotros got in the "Ring",
For Bales, says I;
We thought when we got in the "Ring",
Greenbacks would exist a dead certain matter,
"And we'll all drinkable stone blind,
Johnny fill upward the bowl".

[3]
The "ring" went upwardly, with bagging and rope,
For Bales, for Bales;
Upon the "Black Hawk" with bagging and rope,
For Bales, says I;
Went up "Red River" with bagging and rope,
Expecting to make a pile of "soap",
"And nosotros'll all drinkable stone blind,
Johnny fill up the basin".

[4]
Just Taylor and Smith, with ragged ranks,
For Bales, for Bales;
But Taylor and Smith, with ragged ranks,
For Bales, says I;
Merely Taylor and Smith, with ragged ranks,
Burned up the cotton fiber and whipped old Banks,
"And we'll all drink stone blind,
Johnny fill up the basin".

[5]
Our "ring" came dorsum and cursed and swore,
For Bales, for Bales;
Our "ring" came back and cursed and swore,
For Bales, says I;
Our "ring" came back and cursed and swore,
For we got no cotton at Grand Ecore,
"And we'll all drinkable stone blind,
Johnny make full the bowl".

[6]
Now let u.s.a. all give praise and thanks,
For Bales, for Bales;
At present permit us all requite praise and thank you,
For Bales, says I;
Now let us all give praise and thank you,
For the victory gained past Full general Banks,
"And nosotros'll all potable stone blind,
Johnny make full up the bowl".[18]

Notable recordings [edit]

  • Morton Gould'southward classical arrangement "American Salute" of the song (1943).
  • Harris, Roy (1934), When Johnny Comes Marching Abode — An American Overture .
  • The Andrews Sisters, a "Swing Era" sister act sang an upbeat "swing" version in the 1940s.
  • British pop singer Adam Faith sang a version titled "Johnny Comes Marching Habitation", used over the opening and closing title credits for the British crime thriller Never Let Become (1960). This version was arranged and conducted by John Barry. Another version was released as a unmarried, reaching No. 5 in the Britain Singles Chart.[nineteen]
  • Bing Crosby included the song in a medley on his album 101 Gang Songs (1961).
  • Patti Labelle and the Bluebells sang a famous rendition live at the Apollo in the 1960s.
  • A French version (without vocals) "Johnny Revient d'la Guerre" was recorded by Bérurier Noir, on the album Macadam Massacre (1983).
  • American singer Angel Snow's rendition of the song appears on the compilation album Divided & United: Songs of the Ceremonious War.
  • A rendition performed by the Seattle Symphony Orchestra and Chorale, conducted by Gerard Schwartz, on the anthology "Portraits of Liberty: Music of Aaron Copland and Roy Harris" (1993).
  • The Dropkick Murphys recorded their own version of the song, titled "Johnny I Hardly Knew Ya", using one-time Irish gaelic lyrics to the song'due south beat.
  • Jacob Miller used the melody for his vocal "Peace Treaty", which was written for the 1 Love Peace Concert in Kingston, Jamaica, on April 22, 1978, to celebrate a peace treaty between the opposing leading parties.
  • Folk band Ye Banished Privateers recorded the tune with lyrics almost undead sailors equally 'When Ye Expressionless Come up Sailing Home' for their album Songs And Curses.
  • Guns North' Roses also included the melody in class of whistling in the intro and outro of 'Ceremonious War' in 1991.
  • Galician Celtic folk music ensemble Luar na Lubre used the melody in the song "Os animais" on the 2007 Camiños da fin da terra album.
  • The tune of the song was used for the song "Dauntless Sir Robin" in the 1975 film Monty Python and the Holy Grail.

References [edit]

  1. ^ Lighter, pp. xvi–17.
  2. ^ Lighter, p. 16.
  3. ^ [ane] [ dead link ]
  4. ^ Peterson, Patti Jo (August 30, 2007). "The Business firm that O'Rourke Built". The Plattsmouth Periodical: 5.
  5. ^ Peterson, Patti Jo (June fifteen, 2006). "The O'Rourke Firm". The Plattsmouth Journal: 11.
  6. ^ Lighter, pp. seventy–71.
  7. ^ Lighter, p. 17.
  8. ^ Lighter, pp. 18–xix.
  9. ^ Lighter, p. 21.
  10. ^ a b Lighter, p. 19.
  11. ^ Lighter, pp. 21–28.
  12. ^ Lighter, pp. 28–29.
  13. ^ Erbsen, p. 68
  14. ^ Lighter, p. xv.
  15. ^ Jay Nordlinger, "American Sounds: A little music with your politics – music at political conventions", National Review, 2000-09-11
  16. ^ Haynes, Stan M. (2015). President-Making in the Gilt Age: The Nominating Conventions of 1876–1900. Jefferson, N Carolina: McFarland. p. 43. ISBN9781476623054.
  17. ^ Lambert, "When Johnny Comes Marching Home".
  18. ^ "For bales" (PDF). Lcweb2.loc.gov . Retrieved 12 October 2017.
  19. ^ Roberts, David (2006). British Striking Singles & Albums (19th ed.). London: Guinness World Records Limited. pp. 192–iii. ISBNi-904994-x-5.

Bibliography [edit]

  • Erbsen, Wayne: Rousing Songs and True Tales of the Civil War. Native Ground Books & Music, 2008. ISBN 1-883206-33-2
  • Lambert, Louis (Patrick Gilmore). "When Johnny Comes Marching Domicile". Boston: Henry Tolman & Co. (1863)
  • Lighter, Jonathan. "The Best Antiwar Vocal Ever Written," Occasional Papers in Sociology No. 1. CAMSCO Music and Loomis House Press, 2012. ISBN 978-one-935243-89-2

External links [edit]

  • "When Johnny Comes Marching Habitation" , John Terrill (E. Berliner's Gramaphone (1893)—Library of Congress Performing Arts Encyclopedia.
  • "When Johnny Comes Marching Home" (Overview Page—Library of Congress Performing Arts Encyclopedia.
  • "When Johnny Comes Marching Domicile" (Sheet Music), Oldroyd, Osbourne H. The Skilful Onetime Songs We Used to Sing, '61 to '67, —Project Gutenberg.
  • "When Johnny Comes Marching Home" - A Civil State of war Song Marches On
  • MIDI and clarification
  • Library of Congress copy, For Bales
  • The short film A NATION SINGS (1963) is available for free download at the Internet Archive.

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Source: https://en.wikipedia.org/wiki/When_Johnny_Comes_Marching_Home

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